* * * * * * * kdm

Any man can be 62, but it takes a bus to be 62A.(Spike Milligan)

Das Haar fiel (...) unsortiert über wie tadelnd das Dasein kommentierende Schultern.(Jürgen Roth, *1968)

...es genügt, Politiker ausschließlich aus der Perspektive eines möglichen Arbeitgebers zu betrachten, um sich ein Urteil über sie zu bilden.(Michael Klonovsky)

...was an item which I wrote in December 1998 for the issue no.31 (January 1999) of "The KS Circle". Here is this very short descriptive list of Klaus Schulze's solo albums up to this date:

IRRLICHT Early organ drone experiments.
CYBORG (2 CDs) Further organ drone experiments. Heavy stuff.
PICTURE MUSIC For the first time KS uses "real" synthesizers.
BLACKDANCE If correctly mastered, a feast to the ears.
TIMEWIND Americans regard this as a "masterpiece", probably because it was for many years the only available album for them. Its "Bayreuth Return" was recorded on just a stereo tape & at one go.
MOONDAWN The first masterpiece in the typical Schulze style and in a much better sound than all the former albums. Try to get the original CD version on Manikin Records.
BODY LOVE The soundtrack for a hard core porno. Not bad. I mean the music.
MIRAGE A serious work. Tricky sequencers. The second masterpiece.
BODY LOVE 2 Additions to the (successful) soundtrack album.
"X" (2 CDs) Masterpiece number three.
DUNE Arthur Brown sings on the rhythmic track (lyrics are included). The other track can be called experimental ambient meets a masterfully played cello.
"...LIVE..." (2 CDs) Typical KS concerts from 1976 and '79.
DIG IT First fully digital recording. To the point. One track even has a jazzy note.
TRANCEFER Typical sequencer driven music from that period.
AUDENTITY (2 CDs) Partially avantgarde stuff.
ANGST (soundtrack) Sounds nice. Film was cut to the music (not vice versa as usual).
INTER*FACE Especially the three shorter tracks have a more or less straight rhythm.
DREAMS Beware of the British singer for the last ten minutes!
EN=TRANCE The long track "Fm Delight" is one of those typical "Schulze in the mood".
MIDITERRANEAN PADS The first album that shows a new beginning.
THE DRESDEN PERFORMANCE (live) (2 CDs) Three of the tracks are additional studio recordings.
BEYOND RECALL Sampling starts...
ROYAL FESTIVAL HALL Vol. 1 (live) Sampling goes on...
ROYAL FESTIVAL HALL Vol. 2 (live) ...and on.
THE DOME EVENT (live) A concert that is very enjoyable to listen on CD at home; also, it marks the peak of KS' sampling era.
SILVER EDITION (10 CDs) A risky but very successful attempt. Mostly new music.
LE MOULIN DE DAUDET (soundtrack) Typical short film soundtracks.
KLAUS SCHULZE GOES CLASSIC Simply: KS doesn't play KS.
TOTENTAG (opera) (2 CDs) Too much parlando and recitative in German.
DAS WAGNER DESASTER - LIVE - (2 CDs) A daring experiment: The same two concert recordings in two different mixes.
IN BLUE (2 CDs) Great with and without Manuel.
HISTORIC EDITION (10 CDs) Even more successful than "Silver Edition". Just historic concert & studio recordings.
ARE YOU SEQUENCED? (2 CDs) The first CD is a treat!
JUBILEE EDITION (25 CDs) 1947 minutes [!] of unreleased material (1970-'97) for KS' fiftieth birthday; all reactions show: the most successful of the three "Edition" sets.
DOSBURG ONLINE A mixture of studio & concert recording. Sadly, it was badly mastered. [KS was not happy with it, in November 1997]

Auch ich habe die dumpfe Ahnung, dass das Schöne wahr und das Wahre schön ist.